Posts filed under 'Remix - Video'

Video Mash-Up Mixing

clipped from www.pirate-university.org
The mashing up of videos is the newest element in the mash up genre, people are mixing videos as well as re-editing movies. Famous directors have even admitted they wish they could re cut their films and provide multiple versions to the public.

Steven Soderbergh director of “Sex, Lie & Videotape” and “Ocean 11” said this about mash up videos

“I have ideas like that – video mash-ups. Some of them I’ve done privately. But there’s no way for them to be seen legally. I wish we could come up with a system that allowed someone to do a Grey Album without having to pay millions of dollars for music rights. A system in which rights holders share profits of a new piece of work and people can access it without breaking the law.”

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Add comment February 15, 2008

QT: King of Thieves

clipped from www.wired.com

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When it snuck onto the scene in 1992, Quentin Tarantino’s Reservoir Dogs was hailed for its radical blend of raw violence and pop culture banter. Part of the appeal was the way Tarantino eagerly lifted themes and scenes from so many other movies: There’s The Taking of Pelham One Two Three! There’s City on Fire! There’s A Clockwork Orange! His shout-outs announced a new school of filmmaking, one that admits that movies are bastard beasts, their themes and characters easily swapped into new scenes and circumstances. And if the geeks in the audience can spot the references, even better.
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Add comment January 9, 2008

the remix and the exquisite corpse

clipped from www.networkedcollab.org
The whole notion of the remix as it relates to participation is very post-modern and very American. “The older American folk culture was built on borrowings from folk culture; the new convergence culture will be built on borrowings from various media conglomerates” (Convergence, 137).Like Umberto Eco comments, it’s all been done before: “…no film can be experienced with fresh eyes; all are read against other movies.In such a world ‘cult has become the normal way of enjoying movies’” (Convergence, 98).��
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Add comment January 8, 2008

Steal This Film II

clipped from stealthisfilm.com

THE OIL OF THE 21ST CENTURY

‘Intellectual property’, said Mark Getty, ‘is the oil of the twenty first century’. Getty is chairman of Getty Images and one of the world’s largest intellectual proprietors. His comment offers a unique perspective on the conflicts evolving around information as it penetrates and shapes every aspects of our lives — from nutrition to medicine, from markets to civil liberties.
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Add comment January 8, 2008

Benefit for the Living Dead

clipped from nldfilm.com
I posted a small, very low-resolution demo of my 72-minute re-edit, called the “Night of the Living Dead Survivor’s Cut” on Archive.org. Within a day I had 50 downloads, then 100, then it was 100 per day. I figured at this point, why not go for the gold, so I asked for the opinion of someone that had experience with re-imagining the film. I contacted Tom Savini via email. He just happened to be connected with writer Dave Dreher, who was writing for Creature Corner. Dave wrote an article…and boom! From there the Internet publicity went global – respected sites like Diabolical Dominion critically acclaimed the Survivor’s Cut. After just a few weeks I was seeing articles being written by International sites like Oh My Gore and Zombis among others!) �

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Add comment December 13, 2007

The Force will be with you… because you control it

clipped from www.wikinomics.com
As YouTube gets hit with yet another lawsuit, it’s becoming�increasingly clear that the fate of content creation and distribution on the web will be bogged down by legal wrangling for years. However, at the same time there are a lot of interesting innovations happening that demonstrate how companies and content creators can effectively leverage the Web 2.0, rather than trying to fight it.
The most�recent of these is Lucas Films and Eyespot.com teaming up to allow users to create their own Star Wars movie. Rather than trying to prevent fans from�creating and sharing videos related to the popular movie series, users are being given over 250 scenes/ musical selections to mix and match, and they are also free to use their home made material as well. To quote the press release directly:

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Add comment December 13, 2007

All Killer, No Filler @ Horror Remix

clipped from www.horrorremix.com

If you’re familiar with horror films, you most certainly know that 99% of them have serious down time or filler.
All Killer, No Filler
A Horror Remix is taking a bad horror film, cutting out all the filler and condensing the gore, cheese and t&a into approx. 30 minutes. This blog will post video podcasts and announce Dallas / Fort Worth showings of these condensed trash cult films from the 70’s and 80’s.
Video Podcast:
You can subscribe to the Horror Remix podcast in iTunes by copying http://feeds.feedburner.com/HorrorRemix into “Subscribe to Podcast” under the Advanced menu.

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Add comment December 12, 2007

“MOVIE REMIX” @ URBANLENZ

clipped from www.2dk.net

In the music industry, remixing has long
been an established and increasingly popular technique.
On the other hand, exhibiting movies in theaters is a
very complex business, bankrolled with enormous capital
and employing hundreds of staff. Most movies run only
a few weeks in theaters;
after that, they can be appreciated only on rental video
or DVD. The special feature in this exhibition, “Movie
Remix,” is a trial in which movies exhibited at theaters
are reconstructed as remix material.
At the first memorial “Movie Remix,” “URBANLENZ”
had four artists of differing styles remix the film “Ichi
the Killer” by Takashi Miike, the director who shocked
the world with his bold cinematic creations. Visitors
experienced how each artist arranged the same elements
to come up with their own director’s cut.

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Add comment December 12, 2007

Video Editing 2.0: 8 Ways to Remix Online Videos

clipped from www.readwriteweb.com
So you’ve shot your masterpiece, but it’s a little rough around the edges. If you have any hope of winning that Oscar, you’re going to need to do a little editing. But renting out an editing bay means thousands of dollars and figuring out what all the shortcut keys on the Avid keyboard do. But wait, you’re in luck! Friday evening, YouTube launched their new video editing tool: YouTube Remixer, in partnership with Adobe. Avid it’s not, but perhaps it’s just what you need to turn your raw vacation footage into Spielberg or Coppola.
Unfortunately, YouTube’s Remixer debuted to some rather tepid reviews, in part because it is more or less the same software Adobe rolled out with Photobucket in March. But wait, you’re in luck again! There are a bunch of other online video editing tools, and we’ll take a brief look at some of them below (though again, don’t expect Avid).

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Add comment December 12, 2007

The Weblog Project

clipped from www.theweblogproject.com

What Is The Weblog Project?

TheWeblogProject is the first open source, FREE, grassroots movie to promote and evangelize bloggers, the blogosphere, and their potential.

TheWeblogProject is conceived to be a completely different kind of movie, because featured stars, producers, fundraisers and actors of TheWeblogProject movie have all a unique trait: they are all bloggers.

We have no other agenda but the one of helping bloggers tell everyone else what this media revolution is all about.

TheWeblogProject is different from a traditional movie in several other respects:

  • It will be distributed, FREE, via P2P and via the Internet Archive, under a Creative Commons Attribution License.
  • It will be Folksonomy-enabled.
  • It will be Open Source(d). Complete source footage will be distributed to all supporting bloggers (and not) for unlimited remixing.

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Add comment December 12, 2007

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